imbalance computer music | ML 035 | 2020

Release date: November 6th 2020

digital & double CD box in luxury packaging

Available via the usual stores and directly from Bandcamp . CD available via Hardwax.

CD 1
01 Gantt Exodus 6:58
02 Infernal Limit 8:36
03 Triode Univec 4:39
04 Transient Noire 3:15
05 Dirac Onyx 4:17
06 Pelton Rota 3:18
07 Clockwerk Fatigue 4:24
08 Phaenon Ono 4:04
09 Ircks Argle 5:14
10 Anamorph Iris 4:25

CD 2
11 Espace Fourier 4:45
12 Sinc Response 4:37
13 Plateaux Orthogonal 7:23
14 Orbit Incomplete 6:27
15 Prime Declick 2:04
16 Delta Overload 3:51
17 Alu Minimum 6:08
18 Specimen Fractal 5:13
19 Allure Publison 5:54

Constructed in 2020 by Robert Henke.

The air is damp, pouring rain hits the melting rocks and vaporises in dramatic hisses. The colors are spectacular, orange-red fluids bubbling in slow motion, dark blue water filling deep caves, nearly black clouds tower at the horizon, sudden patches of bright blue sky open up high above, white fog everywhere, an expressionist painting emerges and reconfigures, long before painters do exist. Everything is constantly moving, breathing, transforming.

The big bird takes shelter under a fern, carefully navigating in unstable land. In the distance, another smaller creature tries to escape the water, but fails. Nearby, the probe is stuck in the mud, with its shiny surface and its perfect curvature. A masterpiece of engineering, unfortunately in this very moment becoming dysfunctional, one gamma ray too many, and a nanoscale structure located at a critical signal path forever unlearns how to do its job.

The bird is hungry.

Miller decides to skip his second coffee, he feels overly agitated these days anyway. Too many meetings, too much administrative work. Too many humans too far away from the station with too many opinions. He climbs up the metal ladder, tries to ignore the icy wind, stares at the camera and is waiting for the click. Someone has left a note on his desk, "had again hundreds of errors on A-78, replace?". He takes the paper, carefully reconfigures it into a tiny yellow ball and misses the trash by ten centimetres.

The big bird slowly unfolds her wings, looks down at her claws, and decides to get rid of the logging device. A few small stones are rolling down the rock, playing a beautiful and complex rhythmical motive but no one listens. Then she finally decides to ascend. The clouds are getting more dense, rapidly building up giant structures, ready for the next big thunderstorm to come, sending down ice cubes and fire all at once.

The data packet is short and seems insignificant, just one pulse too much on a green LED in a server room. It takes the first few hubs, until it finally gets corrected by a slightly too smart AI. The big bird glances one last time at the morning sun, satisfied, and ceases to exist.

Ableton Live, Wavetable, Operator, MaxMSP, Granulator II, Celemony Melodyne, Sequential Circuits Prophet VS, Dave Smith Instruments Prophet 12, Yamaha SY77, Yamaha DX-7, PPG Wave 2.3, New England Digital Synclavier II, Ensoniq ASR-10, Oberheim Xpander, a few modular things, Alesis Quadraverb, Lexicon PCM 80, Publison DHM-89 B2, Quantec QRS, Eventide H3000, Eventide Eclipse, Dynacord DRP 20, AMS RMX 16, modified Linn Drum, Sequentix Cirklon, and recordings of various orchestral percussions.

Marko Nikodijevic, I learned so much from you about musical form, structure and gestures. Without you, this album would not exist. Thank you.