During the concert, the sources are remixed, further modified and distributed in space, sometimes barely audible, sometimes very physical and intense, spanning the whole spectrum from the lowest possible rumble to ultrasound. Every performance is different and offers a intimate dialogue with the space and the audience.

Dust is based on self-written granular synthesis algorithms and can be presented in many ways, including a variable number of audio channels. It has originally been composed for a performance in 2011 at the ZKM Media Theater in Karlsruhe, Germany, using a dome of 32 speakers around and above the audience. Other notable configurations include a version for Hebbel theatre in Berlin, Germany with a 16 channels, and an adaption for the INA-GRM Acousmonium.